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File: 1458888880901.png (173.26 KB, 730x663, 1458854260396.png)

 No.15222

In the new season of FLCL, many years have passed since Naota and Haruhara Haruko shared their adventure together. Meanwhile, the war between the two entities known as Medical Mechanica and Fraternity rages across the galaxy. Enter Hidomi, a young teenaged girl who believes there is nothing amazing to expect from her average life, until one day when a new teacher named Haruko arrives at her school. Soon enough, Medical Mechanica is attacking her town and Hidomi discovers a secret within her that could save everyone, a secret that only Haruko can unlock.

But why did Haruko return to Earth?
What happened to her Rickenbacker 4001 she left with Naota?
And where did the human-type robot ‘Canti’ go?

 No.15223

It's actually real. Well fuck me.

 No.15224

>>15223
Why would you doubt something shitty happening? As if something good would happen instead.

 No.15226

File: 1458938471206.jpg (77.7 KB, 1280x720, [HorribleSubs] Seiken Tsuk….jpg)

>new season of FLCL

Why?

 No.15229

>>15226
>Why?

$$$$$

 No.15232

>>15226
Some a hole need to the money to cover the continuously rising life expenditure in japan

 No.15233

>>15226
Western shitheads who don't understand the concept of not reviving shows with no reason other than to make more money off of nostalgia.
Same kikes who ruin everything you liked the original run of.

 No.15817

Even if it turns out awful, original FLCL will still be just as great, right? And if it turns out good but not as good, that's a net gain, right? But on the other hand, sequels have a tendency to diminish the felt completeness of an originally stand-alone work. Of course, you can just personally declare the sequel non-canonical, but perhaps that takes a certain mental strength that not everyone has.

What do you think?

 No.15820

>>15817
I'll watch it but I don't expect it to be good, and if it isn't I'll just forget about it soon enough.
This also just made me think to go check for BDs of the original, so I'll have those to watch in the meantime.

 No.15835

>>15817
>Of course, you can just personally declare the sequel non-canonical, but perhaps that takes a certain mental strength that not everyone has.
I doubt that it's hard to consider each season in isolation to one another, as it is made that way. It would make more sense by just continuing directly from episode 7 onward then if they wanted to create 'exactly' a direct sequel.

I think it depends on what kind of sequel it is. It can be a direct sequel, a spiritual successor, and so on. There's also a cookie-cutter sequel like that Chrono Cross video game. Kinda rare, but interesting nonetheless.

I'm curious at what you were thinking about when you used the term 'net gain'. Also, the diminishing quality that you wrote afterwards. How does the board of directors usually decide to greenlight a project?

Come to think of it, although we still don't know how the two will fit together, from a business standpoint is it pretty good? An FLCL sequel may improve their rating significantly, given how much hype and fan-backings they have now. Crunchy Roll too funds some shows, right? Plus, if such business models can pull through, it may open up some new investment prospects, rejuvenating and solidifying the anime industry in Japan, as the economy is looking like it's in a fragile condition right now (if I'm not mistaken). But then again, I remember that during the late 90s and early 00s they tried to appeal to western audiences to no avail. Some said it's because the industry did so half-heartedly, others blamed piracy, western publishers, etc. Perhaps it's just the anime business cycle, like always since the 80s, except now it's more globalized.

Hey, more jobs.

 No.15837

>>15835
>There's also a cookie-cutter sequel like that Chrono Cross video game.
I'm not sure that you've actually played CC, because one of the most common complaints about it is the story only being loosely related to Trigger and the gameplay being significantly different.

>But then again, I remember that during the late 90s and early 00s they tried to appeal to western audiences to no avail.

The Big O is the big example, a previous show that was half funded by Funimation. It flopped hard.

 No.15838

File: 1466578710390.jpg (109 KB, 1440x1080, [Elysium]FLCL.EP2(BD.1080p….jpg)

Watching it again now, I immediately thought of Ping Pong when this scene happened, and sure enough, Ohira Shinya is listed as a key animator. Hopefully someday I'll be able to pick out animators with less blatant tells.

 No.15839

>>15838
Utterly pointless.

 No.15840

>>15839
What is?

 No.15842

>>15838
I haven't seen it yet, but don't you think that's exactly the point? May I remind you the show swapped to Southpark style at one point throughout the first season.

 No.15844

>>15842
I'm not sure what you think I'm not getting here; of course everyone notices the art style changes. I was just pointing out that this time around I was able to recognise the animation director for this particular scene.

 No.15846

>>15844
They wanted you to recognize him. They wouldn't have invited him if he couldn't make the scene easily recognizable.

 No.15848

>>15837
This is embarrassing, but I thought 'cookie-cutter' meant 'heartbreaking', 'creating division', or something like that. Turns out it means something like a repetition? Shouldn't have used that expression then.

I've played both Cross and Trigger. It's as you said, but it's also how they canonically made tragic consequences out of the events happening in Trigger, which some people didn't really take kindly. Some even went as far as saying that Cross was like fanfiction tier. Maybe you already know all of this, though.

 No.15850

>>15846
Yeah, of course. But I was only pointing out that I had recognised him this time, whereas the last time I watched FLCL around five years ago I had no idea who it was at all.

>>15848
Yeah, I'm very fond of Cross, and just about any discussion around it involves people who dislike it for shitting all over Trigger's happy ending.

 No.15855

>>15835
>I'm curious at what you were thinking about when you used the term 'net gain'.
Like, if this new season has any redeeming value at all, then the world will be a better place because it exists.

>Also, the diminishing quality that you wrote afterwards.

Not diminishing quality. Diminishing self-completeness. FLCL season one was originally a complete story. Now there's going to be more stuff that happens after episode 6. That changes its meaning, how we think about it. It occurs to me now that this depends on how self-complete the new season is; it will be better for both of them if the second does not merely ride the coattails of the first.

>How does the board of directors usually decide to greenlight a project?

I have no idea.



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